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                  <text>Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus. &#13;
&#13;
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy. &#13;
&#13;
Sources Referenced:&#13;
&#13;
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.&#13;
&#13;
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.</text>
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                <text>&lt;p&gt;This is an original version of the legendary song with music written by Maceo Pinkard, lyrics by Kenneth Casey and popularized by Ben Bernie. Janice Cleary who owns this amazing collection, assures us from her research that Pinkard was a booking agent and music publisher in Omaha before he moved on to New York. Over the years the lyrics have been sanitized for modern tastes but this 1925 sheet music contains the original story about a black prostitute named Sweet Georgia Brown. The second verse begins with, &amp;ldquo;Brown skin Gals you&amp;rsquo;ll get the blues, Brown skin Pals you&amp;rsquo;ll surely loose&amp;rdquo; instead of the non-racialized &amp;lsquo;gals&amp;rsquo; and &amp;lsquo;pals&amp;rsquo; of more recent versions. The song was billed as a &amp;ldquo;Charleston Swing Song&amp;rdquo; complete with a ukulele arrangement for the era&amp;rsquo;s popular instrument.&lt;/p&gt;&#13;
&lt;p&gt;The cover of this sheet music features an art deco styled illustration of a young woman in a red dress and a photograph of Miss Nora Kelly who introduced the song. On the second page of the sheet music is an ad for &amp;ldquo;Oh Mah! Oh Pah! Ain&amp;rsquo;t She the Sweetest Thing&amp;rdquo; with lyrics by Gus Kahn and music by Walter Donaldson. Jerome H. Remick and Company of New York and Detroit published the sheet music.&lt;/p&gt;&#13;
For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;</text>
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                  <text>Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus. &#13;
&#13;
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy. &#13;
&#13;
Sources Referenced:&#13;
&#13;
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.&#13;
&#13;
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.</text>
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                <text>&lt;p&gt;This &amp;ldquo;1917 Jazz Band Sensation&amp;rdquo; is an instrumental song composed by Maceo Pinkard of &amp;ldquo;Sweet Georgia Brown&amp;rdquo; fame. Janice Cleary, who owns this amazing collection, informed us that Pinkard was a booking agent in Omaha before he moved on to New York. It was dedicated to Sophie Tucker&amp;rsquo;s (5) Kings of Syncopation who popularized the tune. The song was available for player pianos and for what the publisher refers to as talking machines, better known as record players, which were just becoming popular at the time.&lt;/p&gt;&#13;
&lt;p&gt;The cover of this sheet music features a photograph of Sophie Tucker&amp;rsquo;s Kings of Syncopation framed by an illustration of a man playing piano and a young couple dancing. There is an ad for another Pinkard tune, &amp;ldquo;I&amp;rsquo;m a Real Kind Mama, Looking for a Loving Man&amp;rdquo; in the sheet music and credit for his song, &amp;ldquo;Just Give Me That Ragtime Please&amp;rdquo;. The composer's own Maceo Pinkard Music Publishing in Omaha, Nebraska published the song.&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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&#13;
This collection of images includes publicity shots of several bands and musicians that performed at the Dreamland Ballroom, and photographs of the performances and the auidence members enjoying the music. These images portray the essence of the Dreamland Ballroom and its importance to the music scene of North Omaha. This collection was contributed at the 2011 North Omaha History Harvest.</text>
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                <text>&lt;p&gt;This is a publicity shot of jazz musician Andy Kirk, who performed at The Dreamland Ballroom with his 12 Clouds of Joy. Andy Kirk and his 12 Clouds of Joy was a musical actsthat played at the Dreamland Ballroom in the late 1930s and early 1940s.&amp;nbsp;&lt;span&gt;The photo was given to Jimmy Jewell, owner of the Dreamland Ballroom.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;The inscription on the photograph reads:&lt;br /&gt; To My Good Friend&lt;br /&gt; Jimmy Jewell&lt;br /&gt; Best of Good Wishes&lt;br /&gt; always,&lt;br /&gt; Andy Kirk&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This work is licensed under a Creative Commons Attribution 4.0 International License.</text>
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                <text>This promotional photo of the "Cats of Rhythm" before their performance at the Dreamland Ballroom in 1943-44.  The band featured Betty Givens on vocals and Joe Genovesie on sax.</text>
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                <text>Patricia "Big Mama" Barron, North Omaha History Harvest, 2011</text>
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                <text>This work is licensed under a Creative Commons Attribution 4.0 International License.</text>
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