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Title
A name given to the resource
Janice Cleary
Description
An account of the resource
Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus.
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy.
Sources Referenced:
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Story
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
The person(s) performing the interview.
History Harvest
Interviewee
The person(s) being interviewed.
Janice Cleary
Location
The location of the interview.
Omaha, Nebraska, United States
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Janice Cleary Discusses Sheet Music with Omaha Connections
Description
An account of the resource
<p>Janice Cleary discussed a few of the pieces of sheet music she shared with History Harvest. Mrs. Cleary brought in several pieces with connections to Omaha, NE, but her entire collection contains nearly 50,000 pieces of American popular music. In this clip, she discusses pieces featuring the music and/or imagery of Charles and Effie Tyus, Dan Desdunes, Father Flanagan, and Maceo Pinkard.</p>
<p><iframe src="http://www.youtube.com/embed/-BvYO9f8f4g" frameborder="0" width="420" height="315"></iframe></p>
<p>For interviews and oral histories of this and other items please visit the <a href="http://www.youtube.com/user/HistoryHarvest"> History Harvest YouTube Channel.</a></p>
Creator
An entity primarily responsible for making the resource
History Harvest
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-10-22
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Omaha (Neb.)
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
ethnic stereotype
Janice Cleary Collection
jazz
music
North Omaha History Harvest 2011
Sheet music
-
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Title
A name given to the resource
Dreamland Ballroom
Description
An account of the resource
The Dreamland Ballroom was located on the second floor of the Jewell building at 2221 North 24th Street. This ballroom in the heart of North Omaha was a popular venue for many jazz musicians and the Dreamland Ballroom held some of the greatest acts during its hayday in the 1930s, 1940s and 1950s until its closing in 1965. Many of these acts included Louis Armstrong, The Count Baise Band, Preston Love Sr., Dizzy Gillespie, and Anna Mae Winburn and The International Sweethearts of Rhythm, just to name a few! The Dreamland Ballroom was known to be one of the best places to see live jazz music in Nebraska.
This collection of images includes publicity shots of several bands and musicians that performed at the Dreamland Ballroom, and photographs of the performances and the auidence members enjoying the music. These images portray the essence of the Dreamland Ballroom and its importance to the music scene of North Omaha. This collection was contributed at the 2011 North Omaha History Harvest.
Source
A related resource from which the described resource is derived
Dreamland Ballroom, North Omaha History Harvest, 2011
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dreamland Ballroom Crowd, late 1940s
Description
An account of the resource
<p>This photograph shows a lively crowd dancing to the music at The Dreamland Ballroom during the late 1940s. The Dreamland Ballroom was a popular music venue located in the heart of North Omaha and hosted many local and nationally-renowned musical acts.</p>
<p>For interviews and oral histories of this and other items please visit the <a href="http://www.youtube.com/user/HistoryHarvest"> History Harvest YouTube Channel.</a></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1940 circa
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Omaha (Neb.)
Source
A related resource from which the described resource is derived
Dreamland Ballroom, North Omaha History Harvest, 2011
Format
The file format, physical medium, or dimensions of the resource
still image
Type
The nature or genre of the resource
image
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
big band
Dreamland Ballroom
Dreamland Ballroom Collection
entertainment
jazz
music
North Omaha History Harvest 2011
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Title
A name given to the resource
Janice Cleary
Description
An account of the resource
Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus.
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy.
Sources Referenced:
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Sheet music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'The Blue Melody' sheet music
Description
An account of the resource
<p>This “1917 Jazz Band Sensation” is an instrumental song composed by Maceo Pinkard of “Sweet Georgia Brown” fame. Janice Cleary, who owns this amazing collection, informed us that Pinkard was a booking agent in Omaha before he moved on to New York. It was dedicated to Sophie Tucker’s (5) Kings of Syncopation who popularized the tune. The song was available for player pianos and for what the publisher refers to as talking machines, better known as record players, which were just becoming popular at the time.</p>
<p>The cover of this sheet music features a photograph of Sophie Tucker’s Kings of Syncopation framed by an illustration of a man playing piano and a young couple dancing. There is an ad for another Pinkard tune, “I’m a Real Kind Mama, Looking for a Loving Man” in the sheet music and credit for his song, “Just Give Me That Ragtime Please”. The composer's own Maceo Pinkard Music Publishing in Omaha, Nebraska published the song.</p>
<p>For interviews and oral histories of this and other items please visit the <a href="http://www.youtube.com/user/HistoryHarvest"> History Harvest YouTube Channel.</a></p>
Creator
An entity primarily responsible for making the resource
Maceo Pinkard
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Publisher
An entity responsible for making the resource available
Maceo Pinkard Music Publishing
Date
A point or period of time associated with an event in the lifecycle of the resource
1917
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Omaha (Neb.)
Format
The file format, physical medium, or dimensions of the resource
document
Type
The nature or genre of the resource
image
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
composer
Janice Cleary Collection
jazz
Maceo Pinkard
Maceo Pinkard Music Publisher
Mary Garden of Ragtime
music
North Omaha History Harvest 2011
player piano
ragtime
Sheet music
Sophie Tucker
talking machines
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Janice Cleary
Description
An account of the resource
Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus.
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy.
Sources Referenced:
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Sheet music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'I'm Going Back Home' sheet music
Description
An account of the resource
<p>This “Terrific Hit” song written by Maceo Pinkard of ‘Sweet Georgia Brown” fame is about a man returning to his home in “Dixie land”. He tells his girl, “Now you can stay up here and have all I’ve seen” but what he wants is to return to, “the best old land the kind I understand”. As he rides home on the train, in the reverse direction of the Great Migration, he looks forward to his arrival where “the band will play some rags”. Janice Cleary, who owns this amazing collection, informs us Pinkard was a booking agent and music publisher in Omaha before he moved on to New York. His southern roots must have inspired this tune.</p>
<p>On the cover of this sheet music is a drawing of a man standing on the back of a train illustrated by Maurice M. Leaf. There is also a photograph of Steve Clifford superimposed on the train’s railing. The sheet music bears a 1916 copyright and was published by the Dick B. Bruun Company, 11 Wright Block, Omaha Nebraska. An image of Bruun appears on the bottom of the cover along with the logo of his company, which includes a cartoon drawing of a mouse that predates the famous Mickey. He is wearing a suit looking at some sheet music, which proclaims, “Croon a Bruun Time”. There is a full page ad for Dick Bruun’s song, “Thelma Waits for Me in Norway by the Sea”, dedicated to Miss Doris Wilson, “featured in Through the Looking Glass” as well as an image of her and the Wilson Triplets. There is also a small promotion for Pinkard’s “When He Sang that Baritone”.</p>
<p>For interviews and oral histories of this and other items please visit the <a href="http://www.youtube.com/user/HistoryHarvest"> History Harvest YouTube Channel.</a></p>
Creator
An entity primarily responsible for making the resource
Maceo Pinkard
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Publisher
An entity responsible for making the resource available
Dick B. Bruun Company of Omaha Nebraska
Date
A point or period of time associated with an event in the lifecycle of the resource
1916
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Omaha (Neb.)
Format
The file format, physical medium, or dimensions of the resource
document
Type
The nature or genre of the resource
image
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Dick B. Bruun
Dick B. Bruun Company
Great Migration
Janice Cleary
Janice Cleary Collection
Maceo Pinkard
Maurice M. Leaf
Miss Doris Wilson
music
North Omaha History Harvest 2011
ragtime
Sheet music
Steve Clifford
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Title
A name given to the resource
Janice Cleary
Description
An account of the resource
Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus.
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy.
Sources Referenced:
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
sheet music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'I Want to See My Girl in London' sheet music
Description
An account of the resource
<p>This World War I song is about a soldier’s faithfulness to his country and his girl. The lyrics use the name Tommy Atkins, a term used to denote a generic British soldier, rather than a specific individual. Tommy, “while down in a trench one day”, receives a letter from his girl Anna Shannon. While she begs to see him back in London, he pledges to remain loyal to his duty in the field. The cover of this sheet music shows a drawing of a young woman in a hat and fur collar. A small photograph of the Glendale Quartette is also featured.</p>
<p>This is another song composed by Maceo Pinkard, best know for his hit, “Sweet Georgia Brown”. Pinkard collaborated with lyricist Con T’lam and Edwin Dicey who arranged this 1916 tune for orchestra. Janice Cleary who owns this amazing collection, informs us from her research that Pinkard was a booking agent and music publisher in Omaha before he moved on to New York. The sheet music was published by Independent Music Publishing Company 850 50 23rd Street Omaha Nebraska. On the first page inside the sheet music is an advertisement for “It’s Back to Tennessee for Mine” with lyrics also by Con T’lam and composed by L. A. Clark. This ad urges music lovers to, “Buy it in Omaha” with “Popular Music” at “Popular Prices.”</p>
<p>For interviews and oral histories of this and other items please visit the <a href="http://www.youtube.com/user/HistoryHarvest"> History Harvest YouTube Channel.</a></p>
Creator
An entity primarily responsible for making the resource
Con T. Lam, Maceo Pinkard, Edwin Dicey
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Publisher
An entity responsible for making the resource available
Independent Music Publishing Company
Date
A point or period of time associated with an event in the lifecycle of the resource
1916
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Omaha (Neb.)
Format
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document
Type
The nature or genre of the resource
image
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Con T’lam
Edwin Dicey
Independent Music Publishing Co.
Janice Cleary
Janice Cleary Collection
Maceo Pinkard
music
North Omaha History Harvest 2011
ragtime
Sheet music
World War I
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Title
A name given to the resource
Janice Cleary
Description
An account of the resource
Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus.
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy.
Sources Referenced:
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
sheet music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Sweet Georgia Brown' sheet music
Description
An account of the resource
<p>This is an original version of the legendary song with music written by Maceo Pinkard, lyrics by Kenneth Casey and popularized by Ben Bernie. Janice Cleary who owns this amazing collection, assures us from her research that Pinkard was a booking agent and music publisher in Omaha before he moved on to New York. Over the years the lyrics have been sanitized for modern tastes but this 1925 sheet music contains the original story about a black prostitute named Sweet Georgia Brown. The second verse begins with, “Brown skin Gals you’ll get the blues, Brown skin Pals you’ll surely loose” instead of the non-racialized ‘gals’ and ‘pals’ of more recent versions. The song was billed as a “Charleston Swing Song” complete with a ukulele arrangement for the era’s popular instrument.</p>
<p>The cover of this sheet music features an art deco styled illustration of a young woman in a red dress and a photograph of Miss Nora Kelly who introduced the song. On the second page of the sheet music is an ad for “Oh Mah! Oh Pah! Ain’t She the Sweetest Thing” with lyrics by Gus Kahn and music by Walter Donaldson. Jerome H. Remick and Company of New York and Detroit published the sheet music.</p>
For interviews and oral histories of this and other items please visit the <a href="http://www.youtube.com/user/HistoryHarvest"> History Harvest YouTube Channel.</a>
Creator
An entity primarily responsible for making the resource
Ben Bernie, Maceo Pinkard, Kenneth Casey
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Publisher
An entity responsible for making the resource available
Jerome H. Remick and Company
Date
A point or period of time associated with an event in the lifecycle of the resource
1925
Format
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document
Type
The nature or genre of the resource
image
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Janice Cleary Collection
jazz
music
North Omaha History Harvest 2011
prostitution
Sheet music
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Janice Cleary
Description
An account of the resource
Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus.
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy.
Sources Referenced:
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
sheet music
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
'Happy Feeling Rag' sheet music
Description
An account of the resource
<p>This sheet music is a ragtime instrumental song composed by Dan Desdunes in 1912. Janice Cleary who owns this amazing collection remembers seeing Desdunes leading his band in Omaha parades when she was young. Those memories make this artifact particularly dear to her. Desdunes who listed his address as 2120 N 24th St, made quite a name for himself as a bandleader in Omaha in the early part of the twentieth century. The cover promotes some of his other compositions such as the “Dandy Dancers Rag”, “Honey Bug Rag”, “Dixie Notions Rag”, “That Teasing Omaha Rag”, and “Mexican [sic] Thot Serenade”. A large ad inside the sheet music promotes Desdunes’, “Dividends of Smiles” arranged by Frank Boukal, and “Dedicated to Father Flanagan’s Boys’ Home”. This song along with many others aired on local Omaha station WOW as played by, “Father Flanagan’s Boys’ Home WOW Radio Band” in their studios at “the Woodmen of the World radio station each Sunday from 1:30 to 2:30 p.m.”. Father Flanagan’s Boys’ are pictured meeting with legendary composer and bandleader John Phillip Sousa along with an image of Father Flanagan’s Boys’ Home. The caption promoting the home states it was located, “11 miles west of Omaha, Neb. on the Lincoln Highway, where more than 200 homeless boys, of every race, color and religion, are made into Good American Citizens”. Dan Desdunes’ music played a vital role in Flanagan’s integrated boys band. </p>
<p>The sheet music includes two additional promotions for sheet music titles published by Mickey Music Company of Omaha printed by Walton Process Chicago. The ads include Geo. E. Rausch’s rag, “Kinky Head” with a photograph of young African American child on the cover and Hans B. Parkinson’s waltz, “Steer My Bark” with an illustration of a woman sailing. Other promoted songs are Gaston Otey Wilkins and J. Meredith Woodward’s, “You”, Chas F. Stephenss’ polka, “Viola Two Step”, “Two Crushed Roses”, and “There’s Just One Love For Someone”. </p>
For interviews and oral histories of this and other items please visit the <a href="http://www.youtube.com/user/HistoryHarvest"> History Harvest YouTube Channel.</a>
Creator
An entity primarily responsible for making the resource
Dan Desdunes
Source
A related resource from which the described resource is derived
Janice Cleary, North Omaha History Harvest, 2011
Publisher
An entity responsible for making the resource available
Mickey Music Company
Date
A point or period of time associated with an event in the lifecycle of the resource
1912
Contributor
An entity responsible for making contributions to the resource
Janice Cleary
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Omaha (Neb.)
Format
The file format, physical medium, or dimensions of the resource
document
Type
The nature or genre of the resource
image
Rights
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This work is licensed under a Creative Commons Attribution 4.0 International License.
Boys Town
ethnic stereotype
Father Flanagan
Father Flanagan’s Boys’ Home
integrated band
Janice Cleary Collection
music
North Omaha History Harvest 2011
polka
ragtime
two-step
waltz
Woodmen of the World
WOW radio
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Title
A name given to the resource
Dreamland Ballroom
Description
An account of the resource
The Dreamland Ballroom was located on the second floor of the Jewell building at 2221 North 24th Street. This ballroom in the heart of North Omaha was a popular venue for many jazz musicians and the Dreamland Ballroom held some of the greatest acts during its hayday in the 1930s, 1940s and 1950s until its closing in 1965. Many of these acts included Louis Armstrong, The Count Baise Band, Preston Love Sr., Dizzy Gillespie, and Anna Mae Winburn and The International Sweethearts of Rhythm, just to name a few! The Dreamland Ballroom was known to be one of the best places to see live jazz music in Nebraska.
This collection of images includes publicity shots of several bands and musicians that performed at the Dreamland Ballroom, and photographs of the performances and the auidence members enjoying the music. These images portray the essence of the Dreamland Ballroom and its importance to the music scene of North Omaha. This collection was contributed at the 2011 North Omaha History Harvest.
Source
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Dreamland Ballroom, North Omaha History Harvest, 2011
Rights
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This work is licensed under a Creative Commons Attribution 4.0 International License.
Still Image
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Original Format
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photograph
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Title
A name given to the resource
Dreamland Ballroom Crowd
Description
An account of the resource
<p>This photograph shows a lively crowd dancing to the music at The Dreamland Ballroom during the 1940s. The Dreamland Ballroom was a popular music venue located in the heart of North Omaha and hosted many local and nationally-renowned musical acts.</p>
<p>For interviews and oral histories of this and other items please visit the <a href="http://www.youtube.com/user/HistoryHarvest"> History Harvest YouTube Channel.</a></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1940 circa
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Omaha (Neb.)
Source
A related resource from which the described resource is derived
Dreamland Ballroom, North Omaha History Harvest, 2011
Format
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still image
Type
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image
Rights
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This work is licensed under a Creative Commons Attribution 4.0 International License.
big band
Dreamland Ballroom Collection
entertainment
jazz
music
North Omaha History Harvest 2011
-
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Title
A name given to the resource
Dreamland Ballroom
Description
An account of the resource
The Dreamland Ballroom was located on the second floor of the Jewell building at 2221 North 24th Street. This ballroom in the heart of North Omaha was a popular venue for many jazz musicians and the Dreamland Ballroom held some of the greatest acts during its hayday in the 1930s, 1940s and 1950s until its closing in 1965. Many of these acts included Louis Armstrong, The Count Baise Band, Preston Love Sr., Dizzy Gillespie, and Anna Mae Winburn and The International Sweethearts of Rhythm, just to name a few! The Dreamland Ballroom was known to be one of the best places to see live jazz music in Nebraska.
This collection of images includes publicity shots of several bands and musicians that performed at the Dreamland Ballroom, and photographs of the performances and the auidence members enjoying the music. These images portray the essence of the Dreamland Ballroom and its importance to the music scene of North Omaha. This collection was contributed at the 2011 North Omaha History Harvest.
Source
A related resource from which the described resource is derived
Dreamland Ballroom, North Omaha History Harvest, 2011
Rights
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This work is licensed under a Creative Commons Attribution 4.0 International License.
Person
An individual, biographical data, birth and death, etc.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
photograph
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Buddy Johnson
Description
An account of the resource
<p>This is a publicity shot of Buddy Johnson of The Buddy Johnson Orchestra. Buddy Johnson was a nationally renowned musician who performed at the Dreamland Ballroom.</p>
<p>For interviews and oral histories of this and other items please visit the <a href="http://www.youtube.com/user/HistoryHarvest"> History Harvest YouTube Channel.</a></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1940 circa
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Omaha (Neb.)
Source
A related resource from which the described resource is derived
Dreamland Ballroom, North Omaha History Harvest, 2011
Format
The file format, physical medium, or dimensions of the resource
person
Type
The nature or genre of the resource
image
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Dreamland Ballroom Collection
entertainment
music
North Omaha History Harvest 2011
-
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dreamland Ballroom
Description
An account of the resource
The Dreamland Ballroom was located on the second floor of the Jewell building at 2221 North 24th Street. This ballroom in the heart of North Omaha was a popular venue for many jazz musicians and the Dreamland Ballroom held some of the greatest acts during its hayday in the 1930s, 1940s and 1950s until its closing in 1965. Many of these acts included Louis Armstrong, The Count Baise Band, Preston Love Sr., Dizzy Gillespie, and Anna Mae Winburn and The International Sweethearts of Rhythm, just to name a few! The Dreamland Ballroom was known to be one of the best places to see live jazz music in Nebraska.
This collection of images includes publicity shots of several bands and musicians that performed at the Dreamland Ballroom, and photographs of the performances and the auidence members enjoying the music. These images portray the essence of the Dreamland Ballroom and its importance to the music scene of North Omaha. This collection was contributed at the 2011 North Omaha History Harvest.
Source
A related resource from which the described resource is derived
Dreamland Ballroom, North Omaha History Harvest, 2011
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
Person
An individual, biographical data, birth and death, etc.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
photograph
Dublin Core
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Title
A name given to the resource
Andy Kirk
Description
An account of the resource
<p>This is a publicity shot of jazz musician Andy Kirk, who performed at The Dreamland Ballroom with his 12 Clouds of Joy. Andy Kirk and his 12 Clouds of Joy was a musical actsthat played at the Dreamland Ballroom in the late 1930s and early 1940s. <span>The photo was given to Jimmy Jewell, owner of the Dreamland Ballroom.</span></p>
<p>The inscription on the photograph reads:<br /> To My Good Friend<br /> Jimmy Jewell<br /> Best of Good Wishes<br /> always,<br /> Andy Kirk</p>
<p>For interviews and oral histories of this and other items please visit the <a href="http://www.youtube.com/user/HistoryHarvest"> History Harvest YouTube Channel.</a></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1940 circa
Source
A related resource from which the described resource is derived
Dreamland Ballroom, North Omaha History Harvest, 2011
Format
The file format, physical medium, or dimensions of the resource
person
Type
The nature or genre of the resource
image
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Omaha (Neb.)
Rights
Information about rights held in and over the resource
This work is licensed under a Creative Commons Attribution 4.0 International License.
big band
Dreamland Ballroom
Dreamland Ballroom Collection
jazz
music
North Omaha History Harvest 2011