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                  <text>Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus. &#13;
&#13;
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy. &#13;
&#13;
Sources Referenced:&#13;
&#13;
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.&#13;
&#13;
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.</text>
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                <text>&lt;p&gt;This &amp;ldquo;1917 Jazz Band Sensation&amp;rdquo; is an instrumental song composed by Maceo Pinkard of &amp;ldquo;Sweet Georgia Brown&amp;rdquo; fame. Janice Cleary, who owns this amazing collection, informed us that Pinkard was a booking agent in Omaha before he moved on to New York. It was dedicated to Sophie Tucker&amp;rsquo;s (5) Kings of Syncopation who popularized the tune. The song was available for player pianos and for what the publisher refers to as talking machines, better known as record players, which were just becoming popular at the time.&lt;/p&gt;&#13;
&lt;p&gt;The cover of this sheet music features a photograph of Sophie Tucker&amp;rsquo;s Kings of Syncopation framed by an illustration of a man playing piano and a young couple dancing. There is an ad for another Pinkard tune, &amp;ldquo;I&amp;rsquo;m a Real Kind Mama, Looking for a Loving Man&amp;rdquo; in the sheet music and credit for his song, &amp;ldquo;Just Give Me That Ragtime Please&amp;rdquo;. The composer's own Maceo Pinkard Music Publishing in Omaha, Nebraska published the song.&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus. &#13;
&#13;
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy. &#13;
&#13;
Sources Referenced:&#13;
&#13;
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.&#13;
&#13;
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.</text>
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                <text>&lt;p&gt;This &amp;ldquo;Terrific Hit&amp;rdquo; song written by Maceo Pinkard of &amp;lsquo;Sweet Georgia Brown&amp;rdquo; fame is about a man returning to his home in &amp;ldquo;Dixie land&amp;rdquo;. He tells his girl, &amp;ldquo;Now you can stay up here and have all I&amp;rsquo;ve seen&amp;rdquo; but what he wants is to return to, &amp;ldquo;the best old land the kind I understand&amp;rdquo;. As he rides home on the train, in the reverse direction of the Great Migration, he looks forward to his arrival where &amp;ldquo;the band will play some rags&amp;rdquo;. Janice Cleary, who owns this amazing collection, informs us Pinkard was a booking agent and music publisher in Omaha before he moved on to New York. His southern roots must have inspired this tune.&lt;/p&gt;&#13;
&lt;p&gt;On the cover of this sheet music is a drawing of a man standing on the back of a train illustrated by Maurice M. Leaf. There is also a photograph of Steve Clifford superimposed on the train&amp;rsquo;s railing. The sheet music bears a 1916 copyright and was published by the Dick B. Bruun Company, 11 Wright Block, Omaha Nebraska. An image of Bruun appears on the bottom of the cover along with the logo of his company, which includes a cartoon drawing of a mouse that predates the famous Mickey. He is wearing a suit looking at some sheet music, which proclaims, &amp;ldquo;Croon a Bruun Time&amp;rdquo;. There is a full page ad for Dick Bruun&amp;rsquo;s song, &amp;ldquo;Thelma Waits for Me in Norway by the Sea&amp;rdquo;, dedicated to Miss Doris Wilson, &amp;ldquo;featured in Through the Looking Glass&amp;rdquo; as well as an image of her and the Wilson Triplets. There is also a small promotion for Pinkard&amp;rsquo;s &amp;ldquo;When He Sang that Baritone&amp;rdquo;.&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus. &#13;
&#13;
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy. &#13;
&#13;
Sources Referenced:&#13;
&#13;
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.&#13;
&#13;
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.</text>
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                <text>&lt;p&gt;This World War I song is about a soldier&amp;rsquo;s faithfulness to his country and his girl. The lyrics use the name Tommy Atkins, a term used to denote a generic British soldier, rather than a specific individual. Tommy, &amp;ldquo;while down in a trench one day&amp;rdquo;, receives a letter from his girl Anna Shannon. While she begs to see him back in London, he pledges to remain loyal to his duty in the field. The cover of this sheet music shows a drawing of a young woman in a hat and fur collar. A small photograph of the Glendale Quartette is also featured.&lt;/p&gt;&#13;
&lt;p&gt;This is another song composed by Maceo Pinkard, best know for his hit, &amp;ldquo;Sweet Georgia Brown&amp;rdquo;. Pinkard collaborated with lyricist Con T&amp;rsquo;lam and Edwin Dicey who arranged this 1916 tune for orchestra. Janice Cleary who owns this amazing collection, informs us from her research that Pinkard was a booking agent and music publisher in Omaha before he moved on to New York. The sheet music was published by Independent Music Publishing Company 850 50 23rd Street Omaha Nebraska. On the first page inside the sheet music is an advertisement for &amp;ldquo;It&amp;rsquo;s Back to Tennessee for Mine&amp;rdquo; with lyrics also by Con T&amp;rsquo;lam and composed by L. A. Clark. This ad urges music lovers to, &amp;ldquo;Buy it in Omaha&amp;rdquo; with &amp;ldquo;Popular Music&amp;rdquo; at &amp;ldquo;Popular Prices.&amp;rdquo;&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus. &#13;
&#13;
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy. &#13;
&#13;
Sources Referenced:&#13;
&#13;
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.&#13;
&#13;
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.</text>
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                <text>&lt;p&gt;This sheet music is a ragtime instrumental song composed by Dan Desdunes in 1912. Janice Cleary who owns this amazing collection remembers seeing Desdunes leading his band in Omaha parades when she was young. Those memories make this artifact particularly dear to her. Desdunes who listed his address as 2120 N 24th St, made quite a name for himself as a bandleader in Omaha in the early part of the twentieth century. The cover promotes some of his other compositions such as the &amp;ldquo;Dandy Dancers Rag&amp;rdquo;, &amp;ldquo;Honey Bug Rag&amp;rdquo;, &amp;ldquo;Dixie Notions Rag&amp;rdquo;, &amp;ldquo;That Teasing Omaha Rag&amp;rdquo;, and &amp;ldquo;Mexican [sic] Thot Serenade&amp;rdquo;. A large ad inside the sheet music promotes Desdunes&amp;rsquo;, &amp;ldquo;Dividends of Smiles&amp;rdquo; arranged by Frank Boukal, and &amp;ldquo;Dedicated to Father Flanagan&amp;rsquo;s Boys&amp;rsquo; Home&amp;rdquo;. This song along with many others aired on local Omaha station WOW as played by, &amp;ldquo;Father Flanagan&amp;rsquo;s Boys&amp;rsquo; Home WOW Radio Band&amp;rdquo; in their studios at &amp;ldquo;the Woodmen of the World radio station each Sunday from 1:30 to 2:30 p.m.&amp;rdquo;.&amp;nbsp; Father Flanagan&amp;rsquo;s Boys&amp;rsquo; are pictured meeting with legendary composer and bandleader John Phillip Sousa along with an image of Father Flanagan&amp;rsquo;s Boys&amp;rsquo; Home. The caption promoting the home states it was located, &amp;ldquo;11 miles west of Omaha, Neb. on the Lincoln Highway, where more than 200 homeless boys, of every race, color and religion, are made into Good American Citizens&amp;rdquo;. Dan Desdunes&amp;rsquo; music played a vital role in Flanagan&amp;rsquo;s integrated boys band.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;The sheet music includes two additional promotions for sheet music titles published by Mickey Music Company of Omaha printed by Walton Process Chicago. The ads include Geo. E. Rausch&amp;rsquo;s rag, &amp;ldquo;Kinky Head&amp;rdquo; with a photograph of young African American child on the cover and Hans B. Parkinson&amp;rsquo;s waltz, &amp;ldquo;Steer My Bark&amp;rdquo; with an illustration of a woman sailing. Other promoted songs are Gaston Otey Wilkins and J. Meredith Woodward&amp;rsquo;s, &amp;ldquo;You&amp;rdquo;, Chas F. Stephenss&amp;rsquo; polka, &amp;ldquo;Viola Two Step&amp;rdquo;, &amp;ldquo;Two Crushed Roses&amp;rdquo;, and &amp;ldquo;There&amp;rsquo;s Just One Love For Someone&amp;rdquo;.&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;</text>
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                  <text>Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus. &#13;
&#13;
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy. &#13;
&#13;
Sources Referenced:&#13;
&#13;
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.&#13;
&#13;
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.</text>
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                <text>"I'm a Real Kind Mama (Looking For a Loving Man) Sheet Music"</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;This 1917 &amp;ldquo;cabaret song hit&amp;rdquo;, was written and composed by Maceo Pinkard of &amp;ldquo;Sweet Georgia Brown&amp;rdquo; fame. Janice Cleary who owns this amazing collection, informs us Pinkard was a booking agent in Omaha before he moved on to New York. This song is about a woman who is, &amp;ldquo;so tired of being lonely&amp;rdquo; in a world that is, &amp;ldquo;so awfully chancy&amp;rdquo; for those who are looking for love. She says at night, &amp;ldquo; I Doll up and meet enough&amp;rdquo; but still she has not found a man with whom she can be, &amp;ldquo;all a mama could be&amp;rdquo;.&lt;/p&gt;&#13;
&lt;p&gt;The cover of this sheet music showcases the legendary Jewish Ukrainian American singer, Sophie Tucker, known for her brassy vocals and larger than life personality. Here Tucker is billed as, &amp;ldquo;Mary Garden of Ragtime&amp;rdquo;. The sheet music was published by Maceo Pinkard&amp;rsquo;s music publishing house in Omaha Nebraska. On the first page inside the sheet music is an advertisement for another one of Pinkard&amp;rsquo;s compositions, &amp;ldquo;The Blue Melody&amp;rdquo;. Pinkard&amp;rsquo;s Saxophone Orchestra of Omaha, known for their &amp;ldquo;syncopated walk&amp;rdquo;, is also promoted. The ad urges music lovers to look for the upcoming titles, &amp;ldquo;When He Picks that Ragtime Music&amp;rdquo;, &amp;ldquo;Teach Me that Hula Hula Dance&amp;rdquo;, &amp;ldquo;Dip Me in Your Ocean of Love&amp;rdquo;, &amp;ldquo;At that Darktown Cabaret&amp;rdquo;, and &amp;ldquo;Take Back Your Loving, I&amp;rsquo;m Through with You&amp;rdquo;&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Maceo Pinkard</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="16204">
                <text>Janice Cleary, North Omaha History Harvest, 2011</text>
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            <name>Publisher</name>
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              <elementText elementTextId="16205">
                <text>Maceo Pinkard</text>
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            <name>Date</name>
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                <text>1917</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Janice Cleary</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Omaha (Neb.)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="27506">
                <text>This work is licensed under a Creative Commons Attribution 4.0 International License.</text>
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