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                  <text>Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus. &#13;
&#13;
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy. &#13;
&#13;
Sources Referenced:&#13;
&#13;
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.&#13;
&#13;
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.</text>
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                <text>&lt;p&gt;This is an original version of the legendary song with music written by Maceo Pinkard, lyrics by Kenneth Casey and popularized by Ben Bernie. Janice Cleary who owns this amazing collection, assures us from her research that Pinkard was a booking agent and music publisher in Omaha before he moved on to New York. Over the years the lyrics have been sanitized for modern tastes but this 1925 sheet music contains the original story about a black prostitute named Sweet Georgia Brown. The second verse begins with, &amp;ldquo;Brown skin Gals you&amp;rsquo;ll get the blues, Brown skin Pals you&amp;rsquo;ll surely loose&amp;rdquo; instead of the non-racialized &amp;lsquo;gals&amp;rsquo; and &amp;lsquo;pals&amp;rsquo; of more recent versions. The song was billed as a &amp;ldquo;Charleston Swing Song&amp;rdquo; complete with a ukulele arrangement for the era&amp;rsquo;s popular instrument.&lt;/p&gt;&#13;
&lt;p&gt;The cover of this sheet music features an art deco styled illustration of a young woman in a red dress and a photograph of Miss Nora Kelly who introduced the song. On the second page of the sheet music is an ad for &amp;ldquo;Oh Mah! Oh Pah! Ain&amp;rsquo;t She the Sweetest Thing&amp;rdquo; with lyrics by Gus Kahn and music by Walter Donaldson. Jerome H. Remick and Company of New York and Detroit published the sheet music.&lt;/p&gt;&#13;
For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;</text>
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                  <text>Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus. &#13;
&#13;
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy. &#13;
&#13;
Sources Referenced:&#13;
&#13;
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.&#13;
&#13;
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.</text>
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                <text>&lt;p&gt;This sheet music is a ragtime instrumental song composed by Dan Desdunes in 1912. Janice Cleary who owns this amazing collection remembers seeing Desdunes leading his band in Omaha parades when she was young. Those memories make this artifact particularly dear to her. Desdunes who listed his address as 2120 N 24th St, made quite a name for himself as a bandleader in Omaha in the early part of the twentieth century. The cover promotes some of his other compositions such as the &amp;ldquo;Dandy Dancers Rag&amp;rdquo;, &amp;ldquo;Honey Bug Rag&amp;rdquo;, &amp;ldquo;Dixie Notions Rag&amp;rdquo;, &amp;ldquo;That Teasing Omaha Rag&amp;rdquo;, and &amp;ldquo;Mexican [sic] Thot Serenade&amp;rdquo;. A large ad inside the sheet music promotes Desdunes&amp;rsquo;, &amp;ldquo;Dividends of Smiles&amp;rdquo; arranged by Frank Boukal, and &amp;ldquo;Dedicated to Father Flanagan&amp;rsquo;s Boys&amp;rsquo; Home&amp;rdquo;. This song along with many others aired on local Omaha station WOW as played by, &amp;ldquo;Father Flanagan&amp;rsquo;s Boys&amp;rsquo; Home WOW Radio Band&amp;rdquo; in their studios at &amp;ldquo;the Woodmen of the World radio station each Sunday from 1:30 to 2:30 p.m.&amp;rdquo;.&amp;nbsp; Father Flanagan&amp;rsquo;s Boys&amp;rsquo; are pictured meeting with legendary composer and bandleader John Phillip Sousa along with an image of Father Flanagan&amp;rsquo;s Boys&amp;rsquo; Home. The caption promoting the home states it was located, &amp;ldquo;11 miles west of Omaha, Neb. on the Lincoln Highway, where more than 200 homeless boys, of every race, color and religion, are made into Good American Citizens&amp;rdquo;. Dan Desdunes&amp;rsquo; music played a vital role in Flanagan&amp;rsquo;s integrated boys band.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;The sheet music includes two additional promotions for sheet music titles published by Mickey Music Company of Omaha printed by Walton Process Chicago. The ads include Geo. E. Rausch&amp;rsquo;s rag, &amp;ldquo;Kinky Head&amp;rdquo; with a photograph of young African American child on the cover and Hans B. Parkinson&amp;rsquo;s waltz, &amp;ldquo;Steer My Bark&amp;rdquo; with an illustration of a woman sailing. Other promoted songs are Gaston Otey Wilkins and J. Meredith Woodward&amp;rsquo;s, &amp;ldquo;You&amp;rdquo;, Chas F. Stephenss&amp;rsquo; polka, &amp;ldquo;Viola Two Step&amp;rdquo;, &amp;ldquo;Two Crushed Roses&amp;rdquo;, and &amp;ldquo;There&amp;rsquo;s Just One Love For Someone&amp;rdquo;.&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;</text>
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;iframe src="http://www.youtube.com/embed/05dg8MVmUgg" frameborder="0" width="420" height="315"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
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&lt;p&gt;D.P. Blish, Pension Claim Agent&lt;br /&gt; Omaha, Nebraska&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Full name of widow Anna Malona Roberts age 63 years&lt;br /&gt;Post Office address, Town Alma County Harlan State Neb&lt;br /&gt;Full Name of Soldier Samuel Leonidas Roberts&lt;br /&gt;Rank Sergeant, Co. G Reg't Iowa 15 Vol&lt;br /&gt;Date of Enlistment Nov 24 1861; Date of discharge July 24 1865&lt;br /&gt;Re-enlisted Mar 1, 1864&lt;br /&gt;Where did he enlist, Town Keakuk State Iowa&lt;br /&gt;Date of his death July 23 1916 Place of his death Alma Neb&lt;br /&gt;How much did he draw per month 25 Give numbers of pension certificate 174732&lt;br /&gt;Name of widow before her marriage to soldier Anna Malona McHathery&lt;br /&gt;Date of Marriage Febr 1 1872; By whom married R. S. Symington&lt;br /&gt;Where married, Town Pleasant Hill State Mo&lt;br /&gt;Had widow been previously married, No Had soldier been previously married No&lt;br /&gt;Has the widow remarried since the soldier's death No Give name and date&lt;br /&gt;of Birth of each child of the soldier under sixteen years of age at the date of his death:&lt;/p&gt;&#13;
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&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest?feature=watch"&gt;History Harvest YouTube Channel&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;p&gt;&lt;iframe src="http://www.youtube.com/embed/7H4aWJUUHV4" frameborder="0" width="420" height="315"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;This rug with a cowboy trying to stay in the saddle of a bucking horse is a wonderful piece of Americana from the middle of the 20th century. Colleen Volkmer believes this gift from her ex-husband's maternal uncle bears a signature of Randolph Scott, an iconic American Western hero actor. Made in Belgium, the rug testifies to the universal appeal of the heroic image of the American West.&lt;/p&gt;&#13;
&lt;p&gt;You can watch this and other stories on the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt;History Harvest YouTube Channel&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest?feature=watch"&gt;History Harvest YouTube Channel&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://historyharvest.unl.edu/archive/files/d1472f3df69bb326da8e92a1b2d08725.pdf"&gt;View full PDF&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Source: &lt;a href="&amp;rdquo;http://omahachamber.org/pdf/multiethnicguide.pdf&amp;rdquo;"&gt; &amp;ldquo;Multi-Ethnic Guide,&amp;rdquo; Greater Omaha Chamber of Commerce, 2006.&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Bill Hayes shared these documents on behalf of Grace Emmett and Mary Ann Hessenflow, granddaughters of the Civil War veteran Samuel L. Roberts. The collection includes a letter of parole (Roberts was a Civil War POW), a letter Roberts sent home from the battlefront in 1864, discharge papers and other documents. Hayes shared the documents at the Nebraska City History Harvest event held at the Lewis and Clark Missouri River Basin Visitors Center on September 12, 2010.</text>
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              <text>&lt;p&gt;Confederate States of America.&lt;/p&gt;&#13;
&lt;p&gt;Vicksburg, Miss., &lt;em&gt;Oct 15th&lt;/em&gt; 1862. &lt;br /&gt;This is to certify, That in accordance with a Cartel, in regard to an exchange&lt;br /&gt;of Prisoners, entered into between the Governments of the United States of Ame-&lt;br /&gt;rica and the Confederate States of America, on the 22nd day of July, 1862,&lt;br /&gt;&lt;em&gt;S. L. Roberts Private Company&lt;/em&gt;&lt;br /&gt;&lt;em&gt;G. 15th Regt Iowa, Infantry&lt;/em&gt;&lt;br /&gt;who was captured on or about &lt;em&gt;3rd&lt;/em&gt; day of October at&lt;br /&gt;&lt;em&gt;Corinth Missi&lt;/em&gt;, and has since been held as a Prisoner of War by&lt;br /&gt;the Military authorities of the said Confederate States, is hereby Paroled with full&lt;br /&gt;leave to return to his country on the following conditions, viz: that he will not take&lt;br /&gt;up arms again, nor serve as Military Police or Constabulary force in any Fort,&lt;br /&gt;Garrison or Field work held by either of the said parties, nor as Guard of Prison-&lt;br /&gt;ers, Depots or Stores, nor discharge any duty usually performed by soldiers until&lt;br /&gt;exchanged under the provisions of the Cartel referred to. The aforesaid&lt;br /&gt;&lt;em&gt;S. L. Roberts&lt;/em&gt; signifying his full and free consent to&amp;nbsp;said&amp;nbsp;&lt;br /&gt;conditions by his signature hereto, thereby solemnly pledging his word and honor&lt;br /&gt;to a due observance of same.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;This is a a record of parole of the 15th Iowa Volunteer Infantry Regiment soldier, Samuel L. Roberts, from the Confederate imprisonment. Captured in the second battle of Corinth, Mississippi "on or about 3rd day of October" 1862, the military authorities exchanged Roberts promptly on October 15th of the same year, after having him sign a pledge "not to take arms again" in any capacity. Roberts did not keep the pledge, however, as in 1864 he was writing back home from "[n]ear Chattahoochee rive Ga," a sight of the Battle of Kennesaw Mountain. The exchange took place according to a recently established Dix-Hill Cartel (July 22, 1862) in Vicksburg, Mississippi, that along with A.M. Aiken's Landing, Virginia was one of the two locations where prisoner-of-war and civilian population exchanges between the two armies could occur. The document now belongs to Roberts' granddaughters Grace Emmett and Mary Ann Hessenflow.&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest?feature=watch"&gt;History Harvest YouTube Channel&lt;/a&gt;.&lt;/p&gt;</text>
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&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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