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&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;iframe src="http://www.youtube.com/embed/u8n6vFnDxok" frameborder="0" width="420" height="315"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Janice M Cleary, a lifelong resident of Omaha, Nebraska, has always enjoyed music. Her father studied voice, and her parents sang in the St. John’s choir and hosted music parties in their family home. Janice became interested in ragtime in the late 1950s, and began collecting sheet music. At first, she limited her collection the works of Irving Berlin and ragtime tunes, but her passion for sheet music soon widened in scope. Her collection has grown to nearly 50,000 pieces of American popular music. Janice shared items from her collection that were either written by Omahans or were published in Omaha. Music by Maceo Pinkard, one time Omaha booking agent, music publisher, band leader and eventual composer of “Sweet Georgia Brown,” is just one of the artists in her collection. She also has the “Happy Feeling Rag” sheet music from the legendary Dan Desdunes and the “Omaha Blues” written by Effie and Charles Tyus. &#13;
&#13;
Before recorded music began to enter homes in the 1920s and 1930s, sheet music was the only way for individuals to enjoy popular music in their own homes. Pianos were popular entertainment sources for middle-class homes, and the American sheet music industry thrived during the latter half of the nineteenth century and the early decades of the twentieth. Popular jazz musicians borrowed heavily from African-American culture, and the industry often depended on stereotypical depictions of African Americans and African American culture in its music, lyrics, and artwork. Some of Mrs. Cleary’s items feature the stereotypical imagery of minstrelsy. &#13;
&#13;
Sources Referenced:&#13;
&#13;
Cook, Nicholas, and Anthony Pople, eds. The Cambridge History of Twentieth-Century Music. Cambridge University Press, 2004.&#13;
&#13;
Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998.</text>
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                <text>&lt;p&gt;Janice Cleary discussed a few of the pieces of sheet music she shared with History Harvest. Mrs. Cleary brought in several pieces with connections to Omaha, NE, but her entire collection contains nearly 50,000 pieces of American popular music. In this clip, she discusses pieces featuring the music and/or imagery of Charles and Effie Tyus, Dan Desdunes, Father Flanagan, and Maceo Pinkard.&lt;/p&gt;&#13;
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&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Ralph Orduna was born in Omaha and went to Westside Elementary and South High School. He began working at the Martin Bomber Plant sometime after it opened near Omaha in the Spring of 1941, and became the youngest supervisor at the plant. During World War II, he enlisted in the US Army Air Corps and became a fighter pilot as one of the "Tuskeegee Airmen," the popular name for the African-American pilots of the 332nd Fighter Group and the 477th Bombardment Group in the Army Air Corps. As a member of the Tuskeegee Airmen, Mr. Orduna flew multiple recon and bomber escort missions over enemy territory. He was a member of the first all-black fighter pilot group in the 301 Fighter Squadron of the 15th Air Force's 332 Fighter Group. Following his military service, he studied for a commercial pilot’s license under the GI Bill, but was unable to gain employment, as airlines were not hiring black pilots at the time. Ralph Orduna passed away on May 27, 2003.&#13;
&#13;
This collection was brought to us by Philip Orduna Reis, the son of Ralph Orduna. Phillip is active in the local chapter for Tuskeegee Airmen, and attends national conferences that seek to curate the history of the group. The Omaha chapter is named after Alfonza W. Davis, an Omaha Tech graduate who went on to be a squadron leader as a Tuskeegee Airmen, and was killed in action near the end of the war. This collection was donated at the 2011 North Omaha History Harvest.</text>
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                <text>&lt;p&gt;Ralph Orduna&amp;rsquo;s son, Philip Orduna Reis, discussed his father&amp;rsquo;s life and displayed some artifacts from his time at the Martin Bomber Plant and his service in the US Army Air Corps as a Tuskeegee Airman.&lt;/p&gt;&#13;
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You can find this and other stories on the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;</text>
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