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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="30023">
                  <text>University of Nebraska at Kearney</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="30024">
                  <text>06/20/2015</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>University of Nebraska at Kearney - History Harvest</text>
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                  <text>April White (Curator)</text>
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                <elementText elementTextId="30027">
                  <text>Dr. Jinny A. Turman (Project Director)</text>
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                <elementText elementTextId="30028">
                  <text>Dr. Tom Kiffmeyer (Digital Photographic Archivist)</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="30029">
                  <text>History Department - University of Nebraska at Kearney</text>
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              <name>Relation</name>
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                  <text>History Harvest</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>JPEG, original paper documents, photographs</text>
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              <name>Language</name>
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                <elementText elementTextId="30032">
                  <text>English</text>
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                  <text>German</text>
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                  <text>Nebraska</text>
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              <text>Paper and Ink</text>
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                <text>German-Language Baptism Certificate</text>
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            <name>Subject</name>
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                <text>Original Paper Document of Nebraska Baptism in German</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An original, paper Baptism Certificate in German. Certificate has two dates:  March 31, 1900 and possibly June (?) 4, 1900. Some of the information is handwritten in German, and indicates that the Baptism either took place or was recognized in Buffalo County, Nebraska. The name for the certificate is Heinrich Ludwig Martin.</text>
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            <name>Creator</name>
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                <text>Zu beziehen durch Wartburg Publishing House, Waverly, Iowa.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Sara and Terence Holoubeck</text>
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                <text>03/31/1900</text>
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                <text>06/04/1900</text>
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              <elementText elementTextId="30064">
                <text>Dr. Thomas Kiffmeyer</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30065">
                <text>Sara and Terence Holoubeck</text>
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              <elementText elementTextId="30066">
                <text>University of Nebraska at Kearney (Images)</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30067">
                <text>JPEG</text>
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                <text>German</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Buffalo County, Nebraska</text>
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              <elementText elementTextId="30071">
                <text>Kearney, Nebraska</text>
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        <name>Baptism Certificate</name>
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        <name>Buffalo County</name>
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        <name>German Americans</name>
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        <name>German Language</name>
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        <name>Germans Nebraska</name>
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      <tag tagId="697">
        <name>Nebraska</name>
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        <name>Original Document</name>
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        <name>Sara and Terrence Holoubeck Collection</name>
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        <name>University of Nebraska-Kearney History Harvest 2015</name>
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              <description>A name given to the resource</description>
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                  <text>Dreamland Ballroom</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Dreamland Ballroom was located on the second floor of the Jewell building at 2221 North 24th Street. This ballroom in the heart of North Omaha was a popular venue for many jazz musicians and the Dreamland Ballroom held some of the greatest acts during its hayday in the 1930s, 1940s and 1950s until its closing in 1965.  Many of these acts included Louis Armstrong, The Count Baise Band, Preston Love Sr., Dizzy Gillespie, and Anna Mae Winburn and The International Sweethearts of Rhythm, just to name a few! The Dreamland Ballroom was known to be one of the best places to see live jazz music in Nebraska.&#13;
&#13;
This collection of images includes publicity shots of several bands and musicians that performed at the Dreamland Ballroom, and photographs of the performances and the auidence members enjoying the music. These images portray the essence of the Dreamland Ballroom and its importance to the music scene of North Omaha. This collection was contributed at the 2011 North Omaha History Harvest.</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Dreamland Ballroom, North Omaha History Harvest, 2011</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27627">
                  <text>This work is licensed under a Creative Commons Attribution 4.0 International License.</text>
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              </elementTextContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="16506">
                <text>The Clovers, 1954</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16507">
                <text>&lt;p&gt;This is a publicity shot for The Clovers, a popular jazz band who played the Dreamland Ballroom in 1954. Native Omahan, Preston Love, Sr.'s band played backup for The Clovers at the dance that night.&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="16508">
                <text>Dreamland Ballroom, North Omaha History Harvest, 2011</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16509">
                <text>1954</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16510">
                <text>image </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27058">
                <text>still image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="27059">
                <text>Omaha (Neb.)</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27658">
                <text>This work is licensed under a Creative Commons Attribution 4.0 International License.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="29">
        <name>big band</name>
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      <tag tagId="60">
        <name>Dreamland Ballroom</name>
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      <tag tagId="1162">
        <name>Dreamland Ballroom Collection</name>
      </tag>
      <tag tagId="28">
        <name>jazz</name>
      </tag>
      <tag tagId="14">
        <name>music</name>
      </tag>
      <tag tagId="1157">
        <name>North Omaha History Harvest 2011</name>
      </tag>
      <tag tagId="150">
        <name>publicity photograph</name>
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      <tag tagId="147">
        <name>The Clovers</name>
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    <fileContainer>
      <file fileId="340">
        <src>https://historyharvest.unl.edu/files/original/2e8df352458ea84a376ac54071a3308d.jpg</src>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
            <elementContainer>
              <element elementId="74">
                <name>Bit Depth</name>
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                    <text>8</text>
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              <element elementId="75">
                <name>Channels</name>
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              <element elementId="73">
                <name>Height</name>
                <description/>
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                  <elementText elementTextId="4746">
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                <name>Width</name>
                <description/>
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                  <elementText elementTextId="4747">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Bill Moore</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24184">
                  <text>Mr. Moore shared stories of living in small-town Nebraska during the Great Depression, and travelling on the railroad at the end of World War II at the Nebraska City History Harvest event held at the Lewis and Clark Missouri River Basin Visitors Center on September 12, 2010.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="26596">
                  <text>Bill Moore, Nebraska City History Harvest, 2010</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27489">
                  <text>This work is licensed under a Creative Commons Attribution 4.0 International License.</text>
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              </elementTextContainer>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="16699">
              <text>photograph</text>
            </elementText>
            <elementText elementTextId="16700">
              <text>railroad car replica</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16695">
                <text>Burlington &lt;em&gt;Silver Dome &amp;nbsp;&lt;/em&gt;Railroad Car Replica</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16696">
                <text>&lt;p&gt;A replica of the first &lt;em&gt;Vista Dome&lt;/em&gt; car that Mr Moore boarded to return home after serving in the army in 1945. Eager to fulfill the public's expectation for post-war innovation, Burlington took the GM designers' idea to Aurora workshops to produce the first &lt;em&gt;Silver Dome&lt;/em&gt; car. Remodeled from a stainless-steel coach the car used only flat sheets glass; wartime production did not allow for the curved glass GM designers projected. The car made its debut on the Burlington railroad in July 1945 and became very popular: for the first time twenty-four lucky passengers could enjoy terrific natural vistas from the top of the car as the train crossed the Great Plains. The &lt;em&gt;Astra Dome&lt;/em&gt;, &lt;em&gt;Silver Terrace&lt;/em&gt;, and other modifications retained their popularity through the twilight of the American passenger train service despite heaviness and higher seat cost.&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest?feature=watch"&gt;History Harvest YouTube Channel&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Sources:&lt;/p&gt;&#13;
&lt;p&gt;John H.White, Jr.,&lt;em&gt;&amp;nbsp;The American Railroad Passenger Car&lt;/em&gt;&amp;nbsp;(Baltimore: Johns Hopkins University Press, 1978), 197-200.&lt;/p&gt;</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="16697">
                <text>Bill Moore, Nebraska City History Harvest, 2010</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>&lt;p&gt;This 2004 limited-edition plate commemorated the Pioneer Zephyr, the diesel-powered streamline train that set the long-distance non-stop railroad record by running the 1015 miles from Denver to Chicago in 785 minutes on May 26, 1934. Across Nebraska and Iowa people flocked to stations and railroads to see the silvery train pass by at hitherto unseen speeds. Averaging 77.6 miles an hour, the streamliner topped 100 in its Great Plains run. In 1945 with 25 dollars in hand Bill Moore boarded the Zephyr in Nebraska to report for military service, setting off on his own for the first time in his life. A token of this experience, the plate was a gift to "all the BNSF people who worked injury free in 2004."&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest?feature=watch"&gt;History Harvest YouTube Channel&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>Native Omaha Days is a bi-annual community event that was established in 1976.  The event works as a homecoming for Native Omahans who have left the city.  Those who gather for the event enjoy parades, dances, and other community events.  One of the aims of Native Omaha Days is to preserve and pass on cultural and historical legacies of the North Omaha community.   The newspaper clippings and montages below are part of that legacy.  The pictures and articles represent many historical aspects of life in North Omaha and serve to promote both pride of past accomplishments and rememberance of past struggles.                                        &#13;
&#13;
By exploring the business and advertisement or jazz and music sections of this page, it is easy to see how these clippings could instill a viewer with pride in a community that thrived in a variety of locally owned businesses and music venues.  The wedding, birthday, and family sections emphasize the strength of the North Omaha community ties that still survive into the present. The youth and sports activity sections showcase the community's ability to find enjoyment even in times of segregation and oppression. 	                 	&#13;
&#13;
These clippings also showcase North Omaha as a community that actively fought against racism and oppression.  Through clubs, protests, and other modes of resistance, the community members of North Omaha were active particpants of the Civil Rights Movement and struggled to end unfair hiring practices and police brutality in their neighborhoods.  This community has a legacy of hard work and community participation that yielded results.	&#13;
&#13;
These images are parts of montages that were created by community members and are displayed during Native Omaha Days. This collection was contributed as part of the 2011 North Omaha History Harvest.</text>
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                <text>&lt;p&gt;This article describes an effort by the DePorres Club of Omaha to compel Reed's Ice Cream to hire African American employees. The DePorres Club was a civil rights organization that operated in Omaha between 1947 and 1960. Members included Mildred Brown, publisher of the Omaha Star, and the Reverend John Markoe of Creighton University. Picketing and boycotting were popular methods used by the club to encourage African American community to not patronize businesses where they could not be employed.&lt;/p&gt;&#13;
&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Ralph Orduna was born in Omaha and went to Westside Elementary and South High School. He began working at the Martin Bomber Plant sometime after it opened near Omaha in the Spring of 1941, and became the youngest supervisor at the plant. During World War II, he enlisted in the US Army Air Corps and became a fighter pilot as one of the "Tuskeegee Airmen," the popular name for the African-American pilots of the 332nd Fighter Group and the 477th Bombardment Group in the Army Air Corps. As a member of the Tuskeegee Airmen, Mr. Orduna flew multiple recon and bomber escort missions over enemy territory. He was a member of the first all-black fighter pilot group in the 301 Fighter Squadron of the 15th Air Force's 332 Fighter Group. Following his military service, he studied for a commercial pilot’s license under the GI Bill, but was unable to gain employment, as airlines were not hiring black pilots at the time. Ralph Orduna passed away on May 27, 2003.&#13;
&#13;
This collection was brought to us by Philip Orduna Reis, the son of Ralph Orduna. Phillip is active in the local chapter for Tuskeegee Airmen, and attends national conferences that seek to curate the history of the group. The Omaha chapter is named after Alfonza W. Davis, an Omaha Tech graduate who went on to be a squadron leader as a Tuskeegee Airmen, and was killed in action near the end of the war. This collection was donated at the 2011 North Omaha History Harvest.</text>
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&lt;p&gt;For interviews and oral histories of this and other items please visit the &lt;a href="http://www.youtube.com/user/HistoryHarvest"&gt; History Harvest YouTube Channel.&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Patricia Barron, owner and operator of “Big Mama’s Kitchen,” has lived in North Omaha her entire life. Her family was one of many African American families moved to Omaha from the South as part of the Great Migration. Big Mama keeps alive the legacy of these families by serving traditional African American cuisine. The walls of her restaurant also carry forth the history of North Omaha, as they are adorned with dozens of photos of family and friends. All of the items in this collection were on display at Big Mama’s Kitchen. This collection was contributed at the 2011 North Omaha History Harvest.</text>
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                <text>The business card for Big Mama’s Kitchen serves as a colorful flyer for the restaurant. The card reflects her national notoriety, with one side dedicated to her television appearances. This was the restaurant’s current business card in the autumn of 2011, the time of the North Omaha History Harvest. </text>
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                <text>This work is licensed under a Creative Commons Attribution 4.0 International License.</text>
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